Now, with the Internet connecting Producers to the rest of the world, Reality Television has become the most viable genre for new Writers, Creators and everyday people with great ideas to break into the Industry. Producers look for interesting subjects, people, professions, and original formats to purchase and produce as new shows. No longer can Producers be limited by their own development team. They must reach out to outsiders who can create and deliver unique concepts for TV.
Now, with the Internet connecting Producers to the rest of the world, Reality Television has become the most viable genre for new Writers, Creators and everyday people with great ideas to break into the Industry.
Producers look for interesting subjects, people, professions, and original formats to purchase and produce as new shows. No longer can Producers be limited by their own development team.
They must reach out to outsiders who can create and deliver unique concepts for TV. A format has a specific structure that takes place in each episode and provokes dramatic or compelling competition, typically resulting in one person winning. One is about survival, another is about cooking, another is about stunts, and the other is about romance and relationships.
Each of those series evolves and progresses over the course of a season an Arc. The series has "self contained episodes", with new contestants and challenges each show. Syndicators like this type of format because they can air any block of episodes without needing the audience to follow a longer story arc.
An "Arc Series" may still have structured episodes with key moments, but overall there will be an arc that evolves to a final conclusion winner, or revelation. In each episode there are challenges participants face to win immunity, along with personal conflicts and strategies building between participants, all leading to a vote for elimination.
The episodes progress and evolve with the participants dwindling, and personality conflicts and tactics becoming more intense as it concludes with one lone survivor as winner.
The final episode typically involves the final two women meeting him separately, not knowing if the other has been eliminated, and learning if the Bachelor has chosen to pursue a life with them. These are dramas fueled by a format with ingredients that always entertains.
Docu-style reality series are finding unmatched success with Networks right now, and this is perhaps the most viable sub-genre for new Creators to pitch and sell as a reality TV series. Producers look for unique "worlds" and "characters" in real life that are entertaining and interesting to watch.
This can be a unique profession or business, an odd or funny family, a certain lifestyle, a social club, real people on an adventure, or any area of our lives that may be interesting to watch.
And they can be pitched by anyone. They were either the subject for the show, or they had access to a subject for a show. None of them had any formal training or experience as a creative writer. They simply pitched the unique aspects and scenarios of their proposed idea, and Producers were able to see the entertainment value.
Given the right subject, people, and approach, the Production Company knew they could sell a Network. Regardless of the genre, it is always and only about "Story".
So when you look at your world, and the world around you, look for areas of activity and people that generate incredible moments and stories. And remember, its not all about drama.
This applies to all formats of reality-based ideas. Movies can have obscure or ambiguous titles, but television is an advertisers medium that demands quick capture of attention, so the viewer knows generally what the show may be about.
Loglines are perhaps the most important aspect of pitching. A logline is the short pitch that communicates the high-concept of the show in one or two sentences.
Any Producer reading a pitch for a reality TV series needs the logline to tell the unique premise and agenda of the concept. Too often new writers will create a logline that reads more like a movie tagline, hitting on themes or general ideas.
What is the premise, and what is the plight?
Keep it simple and clear.There is no “right” way to form a TV pitch for the various reality-based and scripted genres in television. However, there are philosophies and formats that will help the buyer see more clearly what your TV show.
Writing a Synopsis for a reality TV show pitch is all about communicating the unique and important moments in the show, in a very efficient and original manner.
This is where you establish your originality of the format and content proposed/5(47). Mar 21, · Reader Approved How to Create and Pitch an Idea for a Reality TV Show.
This article provides aspiring writers and creators a step-by-step guide for creating and pitching new Reality TV show ideas for the television industry%(). Like all television genres, there is an art to creating a compelling reality show treatment--regardless of how formulaic most reality shows appear to be.
Let’s talk about how to pitch a TV show so you can become a TV writer.. We’ll compare how to pitch a TV show to how to pitch a movie and look at TV pitch examples. We’ll also consider the “problem of originality” and learn a process for developing a TV pitch.
Following are a few samples of written pitches for reality show concepts. These are very basic synopsis' written. A more developed and expansive version can be written at any point in the development process.